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Takiyasha the Witch and the Skeleton Spectre is a woodblock print by the Japanese artist Utagawa Kuniyoshi (1798-1861), who was especially renowned for his depictions of historical and mythical scenes. This print portrays tenth-century princess Takiyasha summoning a skeleton spectre to frighten Mitsukuni.<br/><br/> The princess is reciting a spell written on a handscroll. She summons up a giant skeleton which comes rearing out of a terrifying black void, crashing its way through the tattered palace blinds with its bony fingers to menace Mitsukuni and his companion. Princess Takiyasha was the daughter of the provincial warlord Taira no Masakado who tried to set up an 'Eastern Court' in Shimōsa Province, in competition with the emperor in Kyōto. However, his rebellion was put down in the year 939 and Masakado was killed.<br/><br/> After his death, Princess Takiyasha continued living in the ruined palace of Sōma. This print shows the episode from the legend when the emperor's official, Ōya no Mitsukuni, comes to search for surviving conspirators.
The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'.<br/><br/> Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.
This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'.<br/><br/> Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.
Takiyasha the Witch and the Skeleton Spectre is a woodblock print by the Japanese artist Utagawa Kuniyoshi (1798-1861), who was especially renowned for his depictions of historical and mythical scenes. This print portrays tenth-century princess Takiyasha summoning a skeleton spectre to frighten Mitsukuni.<br/><br/> The princess is reciting a spell written on a handscroll. She summons up a giant skeleton which comes rearing out of a terrifying black void, crashing its way through the tattered palace blinds with its bony fingers to menace Mitsukuni and his companion. Princess Takiyasha was the daughter of the provincial warlord Taira no Masakado who tried to set up an 'Eastern Court' in Shimōsa Province, in competition with the emperor in Kyōto. However, his rebellion was put down in the year 939 and Masakado was killed.<br/><br/> After his death, Princess Takiyasha continued living in the ruined palace of Sōma. This print shows the episode from the legend when the emperor's official, Ōya no Mitsukuni, comes to search for surviving conspirators.
This print, by Kyōsai, depicts a variation of the Jigoku Dayu tale. One day, when the monk Ikkyū came to the brothel, he sat to enjoy a meal of fresh fish and sake, which are forbidden to Buddhist monks. Jigoku Dayu, with her sharp mind, assumed that this person was an imposter claiming to be the famous Ikkyū.<br/><br/> She summoned entertainment for him, and hid behind her screen to watch him. When she looked, she saw Ikkyū happily dancing along with skeletons, and knew that he was who he said he was.<br/><br/> This can be interpreted in a number of ways: Ikkyū is famous for reminding everyone of the inevitability of death with his skull-stick, and had commented often that under our skins which we so earnestly protect, is only a skeleton which will one day be all that is left of us.<br/><br/>
The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'.<br/><br/> Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.
The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
The Triumph of Death is an oil painting on panel, painted c. 1562 by Pieter Bruegel the Elder. It is in the Museo del Prado in Madrid.<br/><br/> The painting is a panoramic landscape: the sky in the distance is blackened by smoke from burning cities and the sea is littered with shipwrecks. Armies of skeletons advance on the living, who either flee in terror or try vainly to fight back. In the foreground, skeletons haul a wagon full of skulls, and ring the bell that signifies the death knell of the world. A fool plays the lute while a skeleton behind him plays along; a starving dog nibbles at the face of a child; a cross sits in the center of the painting. People are herded into a trap decorated with crosses, while a skeleton on horseback kills people with a scythe. The painting depicts people of different social backgrounds – from peasants and soldiers to nobles as well as a king and a cardinal – being taken by death indiscriminately.<br/><br/> The painting shows aspects of everyday life in the mid-sixteenth century. Clothes are clearly depicted, as are pastimes such as playing cards and backgammon. It shows objects such as musical instruments, an early mechanical clock, scenes including a funeral service, and a common method of execution: being lashed to a cartwheel mounted on a vertical pole.<br/><br/> Pieter Bruegel's The Triumph of Death is considered to reflect the social upheaval and terror that followed the plague which devastated medieval Europe
Muḥammad Akbar 'urf Muḥammad, Copy undated: appearance of paper, handwriting, ink, etc. suggests a date of ca. 18th century.
Muḥammad Akbar 'urf Muḥammad, Copy undated: appearance of paper, handwriting, ink, etc. suggests a date of ca. 18th century.
Shunga (春画?) is a Japanese term for erotic art. Most shunga are a type of ukiyo-e, usually executed in woodblock print format. While rare, there are extant erotic painted handscrolls which predate the Ukiyo-e movement. Translated literally, the Japanese word shunga means picture of spring; 'spring' is a common euphemism for sex.<br/><br/>The ukiyo-e movement as a whole sought to express an idealisation of contemporary urban life and appeal to the new chōnin class. Following the aesthetics of everyday life, Edo period shunga varied widely in its depictions of sexuality. As a subset of ukiyo-e it was enjoyed by all social groups in the Edo period, despite being out of favour with the shogunate. Almost all ukiyo-e artists made shunga at some point in their careers, and it did not detract from their prestige as artists. Classifying shunga as a kind of medieval pornography can be misleading in this respect.
The face of a slender young woman has fallen off to reveal the skull beneath, epitomizing society's fleeting obsession with beauty and wealth.<br/><br/> The pictorial 'Shanghai Manhua' (Shanghai Sketch), published between April 21, 1928 and June 7, 1930, was a mixture of drawings, photographs and images ranging from advertisements to social criticism and political caricatures.<br/><br/> Shanghai Manhua was an outlet for professional cartoonists and sketch masters, generally of an avant garde or progressive nature. Many of the images printed in 'Shanghai Manhua' are observations of urban life in contemporaneous Shanghai, as well as often critical comment on the social mores of the time.
The disease represented is generally believed to be the plague. The location of bumps or blisters, however, is more consistent with smallpox (as the bubonic plague normally causes them only in the groin and in the armpits). This image is generally interpreted as a depiction of the Black Death.<br/><br/> The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hippocrates. He also had a great interest in the preparation of anatomical specimens as well as the anatomy of ancient Greek and Roman sculpture. These interests led to his work at the French Academy in Rome, where he taught anatomy to artists.<br/><br/> 'Anatomia per Uso et Intelligenza del Disegno' consists of 59 copperplate engravings of text and illustrations printed on one side only. After the engraved title is a plate with allegorical emblems of death. Of the illustrated plates, the first 23 deal with osteology and myology drawn from Genga's anatomical preparations. The remainder consists of representations of antique statues viewed from different angles.<br/><br/> An English translation of the work appeared in London in 1723 under the title: 'Anatomy Improved'.
Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hippocrates. He also had a great interest in the preparation of anatomical specimens as well as the anatomy of ancient Greek and Roman sculpture. These interests led to his work at the French Academy in Rome, where he taught anatomy to artists.<br/><br/> 'Anatomia per Uso et Intelligenza del Disegno' consists of 59 copperplate engravings of text and illustrations printed on one side only. After the engraved title is a plate with allegorical emblems of death. Of the illustrated plates, the first 23 deal with osteology and myology drawn from Genga's anatomical preparations. The remainder consists of representations of antique statues viewed from different angles.<br/><br/> An English translation of the work appeared in London in 1723 under the title: 'Anatomy Improved'.